Call for Papers: The 18th CCVA Annual Conference – The Art of Chinese Social Media
6-7th Nov 2025
Birmingham City University
Deadline (Abstracts): 18th Apr 2025
With the rise of Chinese digital platforms and social media, a new landscape of visual cultural production and artistic communication has emerged, reshaping the ways of art making and aesthetics, the cultures and politics of display, and stimulating new participatory approaches in diversity. From the early days of bulletin board systems (BBS) like ‘Shui Mu Tsing Hua’ (1995) to the proliferation of platforms like WeChat (2011), Douyin (2016)/TikTok (2017), Kuaishou (2011), Weibo (2009), QQ (1999), and Xiaohongshu (Rednote) (2013), Chinese social media have become a vital site for artistic expression, community engagement, and political discourse. The development of social media entangled with critical issues of gender, LGBTQ+, ethnicity, and identities has broadened the boundaries of existing concepts of contemporary art and visual culture, providing new methods, conditions and aesthetics.
The rapidly evolving social media with ‘Chinese characteristics’ has facilitated a wave of contemporary Chinese art and visual culture in various forms with key representations including Zhang Peili, Miao Ying, Cao Fei, Ge Yulu, Lin Ke, Jiao Xingtao, Huang Sunquan, and many others.… Read more ⤻